نتایج جستجو برای: Hollywood

تعداد نتایج: 1363  

Journal: :research in applied linguistics 2015
hadi azimi

the widely shocking attacks on the world trade center and the pentagon on september 11 was interpreted differently by various institutions worldwide, ranging from america's legitimate motive to begin a 'war on terror' to defend her 'very freedom', to a pretext for bush administration to pursue g. h. w. bush's temptation for 'a new world order'. various institutions, therefore, made use of their...

2007

ALTHOUGH FILMS occupy a central place in American popular culture, that place is also, paradoxically, difficult to understand and characterize. Watching movies has been a major leisure and cultural activity for Ameri­ cans for more than a hundred years. But for nearly the entire duration of their history, there has been an active debate about the movies and their merits. They have been criticiz...

2014
Piotr Bojanowski Rémi Lajugie Francis R. Bach Ivan Laptev Jean Ponce Cordelia Schmid Josef Sivic

We are given a set of video clips, each one annotated with an ordered list of actions, such as “walk” then “sit” then “answer phone” extracted from, for example, the associated text script. We seek to temporally localize the individual actions in each clip as well as to learn a discriminative classifier for each action. We formulate the problem as a weakly supervised temporal assignment with or...

2014
Koleman Strumpf

File sharing provides a useful laboratory for investigating the economic importance of intellectual property protection. There are two main empirical challenges: overcoming the non-random timing of the arrival date of illicit copies and dealing with low statistical power due to limited sample size. This paper uses markets to address these issues in the context of movies. I show forwardlooking m...

2016
Dorie Bailey Jonathan M. Hall

In the traditionally patriarchal Hollywood industry, the heterosexual man’s “male gaze,” as coined by feminist film theorist Laura Mulvey, is the dominant viewing model for cinematic audiences, leaving little room for a negotiated reading of how visual images are created, presented, and internalized by male and female audiences alike. However, as Hollywood’s shifting feminist landscape becomes ...

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