Currently, there is some scientific interest on studying creativity and how it can be modeled by computer programs. One of the active subareas focuses on the generation of text, with some prior success systems. In this paper, we describe an example of this kind of system that automatically generates texts related to Greek mythology. We have elaborated on ideas coming from computer creativity, s...

The MULINCO project (MUltiLINgual Corpus of the University of Copenhagen) started early 2005. The purpose of this crossdisciplinary project is to create a corpus platform for education and research in monolingual and translation studies. The project covers two main types of corpus texts: literary and non-literary. The platform is being developed using available tools as far as possible, and int...

literary criticism is one of the most challenging courses, if not the most problematic course, to teach on the curriculum of literature in iranian universities. this course has in fact been designed to familiarise students with a variety of critical approaches to literature. as such, faculty members who teach this course are required to cover a range of theories that often negate or dialectical...

Why do we read literary texts closely? There are plenty of other things to do with literary texts, many of them more fun, some of them even interesting. But the interesting ones, though they may help us in our close reading, or may indeed challenge, limit, or secure its conditions of possibility, belong to other disciplines: psychology, linguistics, sociology of art, anthropology, area studies,...

stylistic is a critical method which studies the linguistic and mental level of a literary work in order to discover the important elements; that's why it selects the literary texts as its main work and attempts to study them. the present paper surveys ahlam mosteghanemi poetries in descriptive – analytical method stylistically in three levels: vocal, combined and mental.

Given multiple corrupted versions of the same text, as is common with ancient manuscripts, we wish to reconstruct the original text from which the extant corrupted versions were copied (typically via latent intermediary versions). This is a challenge of cardinal importance in the humanities. We use a variant of expectation-maximization (EM), to solve this problem. We prove the efficacy of our m...

This paper describes a query system on texts and literary material with advanced information retrieval tools. As a test bed we chose the electronic version of Dante’s Inferno, manually tagged using XML, enriched with a domain ontology describing the historical, social and cultural context represented as a separate XML document.

The vast diversity of the proposed definitions of parody, both before and after the twentieth century, can be an emblem of the lack of a thorough agreement amongst the literary critics about the definition of this literary technique (genre?!). While there is not a comprehensive all-accepted definition of parody, modern and postmodern literatures both exhibit a wide application of it. After look...

the translator of a literary text has to observe the semantic sense of the words, the weight, the cultural setting, and other technical features of the original text to yield an acceptable translation in the tl. the accomplishment however is not that easy, for the translator meets some major impediments in performing the task. a translator who is familiar with different critical approaches, a t...