kiarostami’s unfinished cinema emphasizes the importance of audiences’ involvement in a movie by using postmodern images. some essential points of critically reading his, so-called half-created cinema, could be summarized as self-reflexive style, diagrammatical perspectives, in-between narratives,and individual minimalism. the main postmodern achievement of this cinema is focusing on the proces...

UNLABELLED Analyzing and visualizing multiple sequence alignments is a common task in many areas of molecular biology and bioinformatics. Many tools exist for this purpose, but are not easily customizable for specific in-house uses. Here we report the development of an editor, CINEMA-MX, that addresses these issues. CINEMA-MX is highly modular and configurable, and we present examples to illust...

The command crisis as a story line has been used in many references of the cinema war genre throughout years, but it is stories framed under surface sea where can reach its greatest destabilization capacity. films subgenre suggested to exemplify this study are North American Run Silent Deep (Robert Wise, 1958) and Crimson Tide (Tony Scott, 1995). Both were produced during post-war era narrate r...

A number of papers have empirically investigated the rational addiction model proposed by Becker and Murphy (1988) by using data on different harmful drugs, like cigarettes, alcohol, caffeine, opium, cocaine; but also activities independent of a biological or pharmaceutical dependency have been analysed, such as gambling, calorie consumption, news, arts, and cinema. The purpose of this paper is...

in addition to his revolutionary philosophy and his fundamental criticism on psychoanalysis to which he owes his fame, gilles deleuze, the great philosopher, devotes an important part of his thought to formulating the ontology of cinematic image and hence turned out to be known as the only philosopher of cinema. thanks to the multiple classifications of images and creating philosophical concept...

this paper aims to explore the relationship between iranian cinema and iranian society and tries to evaluate the potentials of iranian cinema in depicting the multiplicity of social fact. a functional distribution of films was used in order to describe this multiplicity. the 12 years were divided into three periods: the pre-kahtami era, and the first and second khatami administrations. the film...

this paper aims to study the imagination of tehran through 1340s and 1350s iranian cinema and the main question is that what kind of representation on city was fueled by cinema. this study was conducted based on analysis of four impressive films in these two decades. two of them are popular movies (ganje gharoon and khater khah) and the two other (khesht-o ayeni and ragbar) are related to avant...