Previous research has suggested that in cultural production fields the concatenation of eminence explains success, defined as influence and innovation. We propose that individuals in fields as diverse as philosophy, literature, mathematics, painting, or architecture gain visibility by cumulating the eminence of others connected to them across and within generations. We draw on interaction ritua...

Systems engineering work is requiring increasing collaboration among various enterperprises, nations, and individuals to innovate to meet the comlex needs of large numbers of stakeholders. This indicates a need to better understand the cultural differences in innovation styles that can enable or hinder collaboration. This paper argues that applying the Hofstede Cross-Cultural Dimensions to ente...

With in economic globalization, the cultural and creative industry is a strategy for the eternal conservation of traditional culture and the revival of localized industries based on creativity through the development of techniques and design innovation. During the process of the transformation and innovation of traditional cultural and localized characteristics, we make old things fashionable s...

I point out in this paper that the inscription ‘art’ is a homonym. Primarily, it names the category of memetic innovation, illustrations of which are encountered in every cultural domain. Thus, art may be—but is not necessarily—encountered in the artworld, where the makers of works of art use a different word with the same spelling to name a class of artefacts. I explain memetic innovation and ...

A desirable goal of engineering education is to teach students how to be creative and innovative. However, the speed of technological innovation and the continual expansion of disciplinary knowledge leave little time in the curriculum for students to formally study innovation. At West Point we have developed a novel upper-division undergraduate course that develops the critical thinking, creati...

Determining how scientific achievements influence the subsequent process of knowledge creation is a fundamental step in order to build a unified ecosystem for studying the dynamics of innovation and competitiveness. Relying separately on data about scientific production on one side, through bibliometric indicators, and about technological advancements on the other side, through patents statisti...

The hybrid aspect of cultures has been on the agenda of cultural and social studies as well as the arts for several years. From the perspective of the semiotician, cultures will necessarily be in continuous contact with a minimum of neighbours in order to enhance cultural semiosis, i.e., to make innovation and change possible. Otherwise, isolation would be in effect and limit a culture to its o...

This article analyses the cultural policy implications in the United Kingdom of a shift in terminology from cultural to creative industries. It argues that the use of the term “creative industries” can only be understood in the context of information society policy. It draws its political and ideological power from the prestige and economic importance attached to concepts of innovation, informa...

The cultural psychology of African Americans involves the evolution of African patterns of thought, feeling and behavior and their utilization as adaptive mechanisms in a context of racism and oppression. Assumptions about cultural psychology as the intersection of psyche and culture, and African American psychology as the multidimensional response to dehumanization and psychic conflict are dis...