We propose a conceptual framework for describing and documenting sound installations from visitor’s point of view. In the form taxonomy, includes four complementary perspectives: sources, design approaches, visiting modalities visual aspects. Its elaboration was informed by review contemporary in Quebec as well literature on theoretical frameworks art installations. Compared with existing frame...

This paper presents some directions on the design, development and creative use of haptic systems for musical composition, performance digital art creation. research has been conducted both from an artistic a technical point view its ambition, over last decade, apart outcome, was to introduce field haptics communities based open, do it yourself—DIY ethos. The five presented here are not in any ...