Musicians have lifelong experience parsing melodies from background harmonies, which can be considered a process analogous to speech perception in noise. To investigate the effect of musical experience on the neural representation of speech-in-noise, we compared subcortical neurophysiological responses to speech in quiet and noise in a group of highly trained musicians and nonmusician controls....

We compared brain activation patterns between musicians and non-musicians (matched in performance score) while they performed a pitch memory task (using a sparse temporal sampling fMRI method). Both groups showed bilateral activation of the superior temporal, supramarginal, posterior middle and inferior frontal gyrus, and superior parietal lobe. Musicians showed more right temporal and supramar...

Neurocognitive studies have demonstrated that long-term music training enhances the processing of unattended sounds. It is not clear, however, whether music training also modulates rapid (within tens of minutes) neural plasticity for sound encoding. To study this phenomenon, we examined whether adult musicians display enhanced rapid neural plasticity compared to non-musicians. More specifically...

BACKGROUND AND AIMS According to existing literature, musicians are at risk of experiencing a range of painful musculoskeletal conditions. Recently, a novel digital technology was developed to investigate pain location and pain extent. The aim of this study was to describe pain location and pain extent in musicians using a digital method for pain drawing (PD) analysis. Additionally, the associa...

The perception of music and speech both involve processing complex acoustic stimuli. It remains unclear, however, whether the same or distinct mechanisms are implicated in music and speech perception. Previous research suggested that musical training may facilitate linguistic pitch perception. (Alexander, Wong, and Bradlow, 2005) Deutsch et al (2006) reported higher proportion of absolute pitch...

For musicians, the impact of noise exposure is not yet fully characterized. Some inconsistencies can be found in the methodology used to evaluate noise exposure. This study aims to analyze the noise exposure of musicians in a symphonic orchestra to understand their risk for hearing loss, applying the methodology proposed by ISO 9612:2009. Noise levels were monitored among musicians during the r...

Recent studies have shown brain differences between professional musicians and non-musicians with respect to size, asymmetry or gray matter density of specific cerebral regions. Here we demonstrate: (1) that anatomical differences in the motor cortex can already be detected by coarse visual inspection; and (2) that within musicians, even a discrimination of instruments with different manual dom...

Hand skill asymmetry on two handedness tasks was examined in consistent right-handed musicians and nonmusicians as well as mixed-handed and consistent left-handed nonmusicians. Musicians, although demonstrating right-hand superiority, revealed a lesser degree of hand skill asymmetry than consistent right-handed nonmusicians. Increased left-hand skill in musicians accounted for their reduced asy...

OBJECTIVE To assess the potential clinical use, particularly in modulating stress, of changes in the cardiovascular and respiratory systems induced by music, specifically tempo, rhythm, melodic structure, pause, individual preference, habituation, order effect of presentation, and previous musical training. DESIGN Measurement of cardiovascular and respiratory variables while patients listened...

How Happy Are Kings? On Wednesday evening, 17 July 1717, King George I took his nobles out for an evening dinner cruise on open barges, proceeding up the Thames to supper at Chelsea. One barge held fifty musicians playing George Frideric Handel’s Water Music, composed especially for the occasion. The royal bash must have been a blast; the king liked the music so well he had it played three time...