Both the ancient Greeks and the moderns, Friedrich Nietzsche notes in his first published work The Birth of Tragedy out of the Spirit of Music (1872), held Homer’s objective art of epics and Archilochus’s subjective art of lyric poetry in equally high esteem. However, if a work of art, according to the modern aesthetics of such figures as Kant, Schelling, Hegel and Schopenhauer, must be “object...