In her paper, "Postcolonial African Consciousness and the Poetry of Agostinho Neto," Irene Marques introduces the magic words of a great poet with the question: can poetry carry enough sorrow, enough strength, enough fire, enough love, enough wisdom, enough care, and enough horror to penetrate the hearts and the souls of the oppressed and the oppressors so that both will desperately want to esc...

In this note, I would like to focus on the two central distinctions Inan draws between varieties of ignorance. One is the distinction between “objectual” and “propositional” ignorance, and the other is the distinction between “truth-ignorance” and “fact-ignorance,” which is a distinction between two types of propositional ignorance. According to Inan, appreciating these distinctions allow us to...

In this paper, we present a user-centered design study on poetry visualization. We develop a rule-based solution to address the conflicting needs for maintaining the flexibility of visualizing a large set of poetic variables and for reducing the tedium and cognitive load in interacting with the visual mapping control panel. We adopt Munzner’s nested design model to maintain high-level interacti...

"A Valediction: Forbidding Mourning" shows many features associated with seventeenth-century metaphysical poetry in general, and with Donne's work in particular. Donne's contemporary, the English writer Izaak Walton, tells us the poem dates from 1611, when Donne, about to travel to France and Germany, wrote for his wife this valediction, or farewell speech. Like most poetry of Donne's time, it ...

This essay considers some problems in philosophical approaches to poetry. Philosophers’ accounts of what poetry is are often ill informed. They tend to select, as essential, features that can also characterize prose works: conspicuous metaphoricity, imagination, fictionality, and so on. This essay considers instead a humbler term: verse. It argues that the constraints on language implied by com...