Different types of texture produce differences in slant-discrimination performance (P. Rosas, F. A. Wichmann, & J. Wagemans, 2004). Under the assumption that the visual system is sensitive to the reliability of different depth cues (M. O. Ernst & M. S. Banks, 2002; L. T. Maloney & M. S. Landy, 1989), it follows that the texture type should affect the influence of the texture cue in depth-cue co...

Pseudo-haptic textures allow to optically-induce relief in textures without a haptic device by adjusting the speed of the mouse pointer according to the depth information encoded in the texture. In this work, we present a novel approach for using curvature information instead of relying on depth information. The curvature of the texture is encoded in a normal map which allows the computation of...

In depth cue-conflict conditions, various depth cues could represent different extents of depth. Previous studies have investigated the perceived size of negative afterimage in depth cue-correlated conditions in which different cues introduce almost the same amounts of depth to the visual system. This study examined the perceived size of the afterimage in the human observers in a condition that...

Previous the 3D model texture generation from multi-view images and mapping algorithms has issues in the texture chart generation which are the self-intersection and the concentration of the texture in texture space. Also we may suffer from some problems due to the occluded areas, such as inside parts of thighs. In this paper we propose a texture mapping technique for 3D models using multi-view...

In this paper, we present a new method for creating shadow texture atlas with which we can represent the self-shadow. Shadow texture atlas is a texture atlas with shadow information in each texel. Shadow texture is effective to represent high-quality shadow using the graphics hardware because it stores shadow information as color unlike shadow map which stores depth. However, it cannot represen...

Although significant research effort has been devoted to the natural scene analysis, there hasn’t been much work on natural scene synthesis. The research of such nature can help understand the hidden structure of natural texture and the illumination patterns for classification and segmentation purposes. The common texture synthesis methods are not suitable for natural scene synthesis due to inh...

Obstacle avoidance from monocular images is a challenging problem for robots. Though multi-view structurefrom-motion could build 3D maps, it is not robust in textureless environments. Some learning based methods exploit human demonstration to predict a steering command directly from a single image. However, this method is usually biased towards certain tasks or demonstration scenarios and also ...

We present an algorithm for morphing shape and view-dependent texture that utilizes an unstructured lumigraph representation to (1) gracefully handle topological changes, (2) create plausible appearance transformations, and (3) provide user control independent from the underlying mesh structure. It works by reducing the otherwise complex problem of a 3D shape and material morph into multiple si...

Visual texture segregation is the perceptual phenomenon illustrated in figure 17.1. In this image a rectangular area composed of small X-shaped patterns appears as a distinct region against a background of L-shaped patterns. This segregation occurs rapidly and unconsciously, without effort or search. The rectangular area composed of Tshaped patterns, however, does not appear as a distinct regio...

In depth cue-conflict conditions, various depth cues could represent different extents of depth. Previous studies have investigated the perceived size of negative afterimage in depth cue-correlated conditions in which different cues introduce almost the same amounts of depth to the visual system. This study examined the perceived size of the afterimage in the human observers in a condition that...