Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

This article extends current theorizing in media psychology on audience responses to cinema by examining individuals’ perceptions of meaningfulness. Specifically, it presents the results of a study designed to expand upon research on psychological and subjective well-being to experiences and memories of films that are perceived as particularly meaningful by viewers. Characteristics and themes o...

Cinema is a multidimensional art capable of affecting our neurophysiologic structure in different ways. Studies show that different parts of the brain are activated while watching a structured film and consequently, the movie imitates consciousness structure. This imitation of the consciousness structure enables cinema to deeply influence the brain. The effect and its manner are the main themes...

Animation has always had its champions. Animators and fans have often proved eager to sing the praises of animation and especially to laud it over and above cinema. To give examples: French animation director René Laloux (2006) famously declared animation to be the true cinema, and in a humourous yet profound essay exploring the ‘evolution’ of Mickey Mouse from adult to juvenile, renowned biolo...

This study examines ‘Indian cinema and Muslim image’ from 2002 to 2008. From the very beginning and particularly since 9/11 incident, the Indian film industry very often portrays the Muslim with stereotype image (which is negative). After the 9/11 incident, Muslims are being looked as suspicious people and portrayed as terrorists. Indian film industry adds fuel to the fire by making a lot of mo...

Psychoanalysis and the cinema were born at the end of the nineteenth century. They share a common historical, social, and cultural background shaped by the forces of modernity. Theorists commonly explore how psychoanalysis, with its emphasis on the importance of desire in the life of the individual, has influenced the cinema. But the reverse is also true-the cinema may well have influenced psyc...

There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radi...