Accents are local events that attract a listener’s attention and are either evident from the score (immanent) or added by the performer (performed). Immanent accents are associated with grouping, meter, melody, and harmony. In piano music, performed accents involve changes in timing, dynamics, articulation, and pedaling; they vary in amplitude, form, and duration. Performers tend to “bring out”...

The authors are proposing an approach to creative forms of performing arts allowing diversity and unity to coexist. In their view, this is possible through a cross-fertilization of Western and nonWestern cultures in which the main theoretical and practical knowledge sources would derive from cognitive anthropology and the experience acquired by learning from acknowledged masters. Having questio...

John Dilworth Plays, symphonies and other works in the performing arts are generally regarded, ontologically speaking, as being types, with individual performances of those works being regarded as tokens of those types. But I show that there is a logical feature of type theory which makes it impossible for such a theory to satisfactorily explain a 'double performance' case that I present: one i...

In organisation schemes, musical artists are commonly identified with a unique ‘genre’ label attached, even when they have affinity to multiple genres. To uncover this hidden cultural awareness about multi-genre affinity, we present a new model based on the analysis of the way in which a community of users organise artists and genres in playlists. Our work is based on a novel dataset that we ha...