The presence of multiple audiences and the collapse of boundaries between them in Facebook make it difficult for users to know and to control who has access to their online contributions. Previous research has shown how visualizations of Facebook friends are useful , but mainly focused on the instrumental goal of controlling access. It is unclear, however , what value users themselves see in vi...

Social media technologies collapse multiple audiences into single contexts, making it difficult for people to use the same techniques online that they do to handle multiplicity in face-to-face conversation. This article investigates how content producers navigate ‘imagined audiences’ on Twitter. We talked with participants who have different types of followings to understand their techniques, i...

In the current media ecosystem, television content is distributed through a variety of platforms (TDT, the Web, mobiles ...) providing a growing level of interactivity, which increases the connections of networks and programs with their audiences. Both public and commercial broadcasters are developing cross-media processes that enhance audience participation in a variety of ways. The networks p...

Audience participation in computer music has long been limited by resources such as sensor technology or the material goods necessary to share such an instrument. A recent paradigm is to take advantage of the incredible popularity of the smart-phone, a pocket sized computer, and other mobile devices, to provide the audience an interface into a computer music instrument. In this paper we discuss...

This chapter sketches a basic conceptual framework for identifying and analysing the audiences receptions of kind medieval biographical collections studied in this special issue. To do so, it sets out range approaches taken by contributors situates these relation to previous scholarship on reception interpretation textual sources. Particular attention is given dynamic relationships between thos...

In stories, the emotional charge of the characters plays an important role in engaging the audience. The emotional states of the characters allow the audience to understand their motivations and to perceive their reactions to a dramatic situation. In this paper, relying on a semantic representation of the drama features, we present and evaluate an emotional rule system that generates the charac...

In mobile communication systems with multisensor antennas at base stations, downlink channel estimation plays a key role because accurate channel estimates are needed for transmit beamforming. One efficient approach to this problem is channel probing with feedback. In this method, the base station array transmits probing (training) signals. The channel is then estimated from feedback reports pr...

Monitoring network services and diagnosing their problems often require active probing methods. Current probing methods, however, are becoming unreliable, because of interferences from various middleboxes, and inadequate due to their limited path metrics support. In this paper, we present the design and implementation of OneProbe, a new TCP probing method for reliable and metric-rich path monit...

Articles available via LSE Research Online are protected under intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law discussed earlier versions of these ideas with various colleagues over the past year and am grateful for their constructive and critical responses. Audience research is at a crossroads. Looking backwards, the legacy o...