Auditory distance perception plays a major role in spatial awareness, enabling location of objects and avoidance of obstacles in the environment. However, it remains under-researched relative to studies of the directional aspect of sound localization. This review focuses on the following four aspects of auditory distance perception: cue processing, development, consequences of visual and audito...

BACKGROUND The ability to estimate the passage of time is of fundamental importance for perceptual and cognitive processes. One experience of time is the perception of duration, which is not isomorphic to physical duration and can be distorted by a number of factors. Yet, the critical features generating these perceptual shifts in subjective duration are not understood. METHODOLOGY/FINDINGS W...

Kubovy and Van Valkenburg (2001) have posited a theory of auditory “objecthood” that draws heavily on a proposed analogy between the auditory and visual systems. Specifically, they have suggested that the auditory dimension of pitch is analogous to the visual dimension of spatial extent and that pitch is an “indispensable attribute” in the formation of auditory objects. In their development of ...

EVERY HUMAN CULTURE HAS SOME FORM OF MUSIC WITH A BEAT a perceived periodic pulse that structures the perception of musical rhythm and which serves as a framework for synchronized movement to music. What are the neural mechanisms of musical beat perception, and how did they evolve? One view, which dates back to Darwin and implicitly informs some current models of beat perception, is that the re...

Subjective tinnitus is an auditory phantom perception that may arise from any aberrant signal within the auditory system. Further processing of this signal and the conscious perception of tinnitus takes place in the cerebral cortex. A few functional brain-imaging studies have been performed to elucidate the underlying cerebral mechanisms of this perception. These studies mostly concern rare typ...

Research into the perception and cognition of music listening often contains implicit assumptions about the nature of the underlying mental representations, and about the relationship between "auditory processing" and "music perception". We attempt to highlight and problemitize some of these assumptions and to provide a more cognitively appropriate model for music perception and cognition, base...

The complexities of the acoustic speech signal pose many significant challenges for listeners. Although perceiving speech begins with auditory processing, investigation of speech perception has progressed mostly independently of study of the auditory system. Nevertheless, a growing body of evidence demonstrates that cross-fertilization between the two areas of research can be productive. We bri...

When an object is presented visually and moves or flickers, the perception of its duration tends to be overestimated. Such an overestimation is called time dilation. Perceived time can also be distorted when a stimulus is presented aurally as an auditory flutter, but the mechanisms and their relationship to visual processing remains unclear. In the present study, we measured interval timing per...

Audition is often treated as a 'secondary' sensory system behind vision in the study of cognitive science. In this review, we focus on three seemingly simple perceptual tasks to demonstrate the complexity of perceptual-cognitive processing involved in everyday audition. After providing a short overview of the characteristics of sound and their neural encoding, we present a description of the pe...