نتایج جستجو برای: contemporary literary theory

تعداد نتایج: 857366  

2016
John P. Mills Ian D. Boardley

Cruickshank and Collins [2] ‘Advancing Leadership in Sport: Time to Take Off the Blinkers?’ has created something of a furore around the effectiveness and suitability of dark leadership traits and behaviours. This paper attempts to clarify some of the conceptual issues discussed within their paper, while also redressing a number of literary misrepresentations. Finally, the potential limitations...

2012
Nicola Lacey

This article contributes to the use of the novel as an interpretive resource in legal and social history. It focuses on an issue which appears to have been neglected amid the rich skeins of recent debate. Particularly in relation to criminal defence, from the debate in the run-up to the advent of general legal representation in the Prisoners’ Counsel Act 1836 through to James Fitzjames Stephen’...

2009
Charles L. Griswold

W did Plato write dialogues? How should his dialogues be read (does the literary form matter, for example, to our getting at the heart of what Plato is saying)? These questions are now familiar in contemporary Plato scholarship, and their answers—which undoubtedly are interconnected—are the subject of lively and fascinating exploration. Any doubt that Platonic studies -ourishes would quickly be...

Journal: :دراسات الادب المعاصر 0
فتانه منصوری جمشیدی مدرسة جامعة المعلمین فی طهران.

mustafa lutfi el-manfaluti is one of the literary men whose writing method was effective on literary change of the previous generation. he was born in egypt. he was interested in reading literary books; that’s why he had completed the science by mohammad abdoh. he had translated many stories and articles and had applied some french stories in his writings. his books are the most eloquent arabic...

Olga I. Eremenko Valeriy A. Cherkasov Vera V. Demicheva

This paper presents a conceptual analysis of the essay by Paktovsky (1901) which concentrates on the works by Chekhov. The urgency of the research is determined by the significance of the literary figure for the history of Russian criticism of the 19th – 20th centuries, the importance of his vision concerning the writing of the authors of Russian literature of the turn of the century, as well a...

Journal: :دراسات الادب المعاصر 0
سید نظام الدین مرتضوی طالب الدکتورا فی فرع اللغة العربیة وآدابها بجامعة آزاد الاسلامیة، فرع آبادان، آبادان، ایران. عبدالرضا عطاشی عضو هیئة التدریس فی قسم اللغة العربیة وآدابها بجامعة آزاد الاسلامیة، فرع آبادان، آبادان، ایران(أستاذ مساعد).

the present paper is looking for expressing one of the most important human's phenomenon: mourning; one of the types of the poetries which has a close relationship with humanistic, social and natural tendencies. the poets paid special attention to mourning since years ago as well as the contemporary era. the lebanese contemporary poets also paid special attention to the majesty of this gre...

2017
César Domínguez

In his paper, "Literary Emergence as a Case Study of Theory in Comparative Literature," César Domínguez constructs an interdisciplinary theoretical model which sheds new light on literary emergence, a phenomenon that defies literary, artistic, and cultural boundaries. Domínguez opens his discussion with a synthesis regarding the state of the question, paying particular attention to the contradi...

2013
ERIKA REGNER

The aim of this paper is to propose a cross-cultural approach to contemporary Hungarian-German minority literature comprising texts written both in German and in Hungarian in order to give an adequate description of the Hungarian-German minority’s literary scene. Also, the significance of this specific minority literature within the context of culture and heritage conservation and its true iden...

2011
John Peradotto

„reactionary‟) theories identify with the backward facing form and look to recover original truth or original authorial intent or original audience response as governing protocols that will yield readings more or less impervious to change. They argue that anything departing from or adding to original authorial intent and original audience reception is an inauthentic, contaminated reading. More ...

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