نتایج جستجو برای: image and cinema

تعداد نتایج: 16881924  

2014
James Ahrens John Patchett Andrew Bauer Sébastien Jourdain David H. Rogers Mark Petersen Benjamin Boeckel Patrick O’Leary Patricia Fasel Francesca Samsel

Due to power and I/O constraints associated with extreme scale scientific simulations, in situ visualization and analysis to will become a critical component to scientific discovery. The options for extreme scale visualization and analysis are often presented as a stark contrast: write files to disk for interactive, exploratory analysis, or perform in situ analysis to save data products about p...

Journal: :جامعه شناسی هنر و ادبیات 0
تقی آزادارمکی استاد دانشکده علوم اجتماعی دانشگاه تهران

this paper aims to explore the relationship between iranian cinema and iranian society and tries to evaluate the potentials of iranian cinema in depicting the multiplicity of social fact. a functional distribution of films was used in order to describe this multiplicity. the 12 years were divided into three periods: the pre-kahtami era, and the first and second khatami administrations. the film...

2004
Michael Smith John Villasenor

While the efficiency of exploiting inter-frame motion compensation is well established for lower bit rates, far less attention has been given to this issue for digital cinema resolutions. This paper addresses the specific coding efficiency differences between inter and intra frame coding for very high quality, high-resolution image sequences and at a wide variety of bit rate ranges. The informa...

2013
Michael Czajkowski Daniel Donavanik

(U) The Intelligence Community uses computer vision (CV) algorithms on data from state-of-the-art sensors and platforms (e.g. Autonomous Real-Time Ground Ubiquitous Surveillance, ARGUS) on the National Image Interpretability Rating Scale (NIIRS) at level 6. Ultra-high quality cameras like the Digital Cinema 4K (DC-4K), which recognizes objects smaller than people, will be available soon for Wid...

Journal: :جامعه شناسی هنر و ادبیات 0
محمد مهدی مولایی کارشناس ارشد مطالعات فرهنگی و رسانه، دانشگاه تهران حسین کرمانی دانشجوی کارشناسی ارشد علوم ارتباطات اجتماعی، دانشگاه تهران

in this article we study the attitudes of iranian cinema audience toward popular films. affected by classic elite cultural theories, popular culture and consumers of popular culture have been humiliated for many years. according to this theories, audience of popular magazines, popular music, popular films and other popular culture products, have been considered as passive victims. cultural stud...

2010
Nick Redfern

Statistical analysis is an important part of an inductive programme of research into film style enabling large groups of films to be analysed, identifying key trends, and identifying changes in film style between groups of films from different countries and time periods. In this paper, the use of shot scales in Hollywood and German cinema between 1910 and 1939 is analysed using linear regressio...

پایان نامه :وزارت علوم، تحقیقات و فناوری - دانشگاه شاهد - دانشکده فنی و مهندسی 1387

abstract biometric access control is an automatic system that intelligently provides the access of special actions to predefined individuals. it may use one or more unique features of humans, like fingerprint, iris, gesture, 2d and 3d face images. 2d face image is one of the important features with useful and reliable information for recognition of individuals and systems based on this ...

2010
Jerónimo León

Cinema is an act of representation and it is based on the construction of reality inspired by experience. In Colombia, cinema has not been the product of a structured industry, but rather the effort of some filmmakers who have found different ways of telling stories about topics that are part of the national experience. The armed conflict in Colombia, understood as the confrontation between gov...

Journal: :Revista Brasileira de Educação do Campo 2021

The article demonstrates the centrality of academic concern, in discipline Ethnic-Racial Relations, which is given by an observation different Brazilian filmographies. A Chanchada was paroxysm stereotype racial inferiority image Iberian-Afro-American as a rural ethnic demand Amerindian heritage progress-averse Jeca Tatu. To affirm superiority imagetic hegemony Euro-hetero-macho-authoritarian si...

2012
Edirlei Soares de Lima Cesar T. Pozzer Antonio L. Furtado Angelo E. M. Ciarlini Fabio A. Guilherme da Silva

Interactive narratives designed for television and cinema demands new interaction mechanisms. In the TV context, thousands of viewers sharing the same narrative at different places must have the opportunity to interact with ongoing stories. The same requisite is valid for cinema, where the whole audience in the theater must have the opportunity to interact. This paper presents a multi-user natu...

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