Present virtual heritage projects are mostly focused either on ‘process’ or ‘product’ but rarely consider ‘user’ (end user’s perception of the content) with project contents predominantly developed with an ‘ocular-centric’ tendency. There is no signifi cant interpretation method or principles for interpreting digital heritage unlike other disciplines such as archaeology. This paper argues that,...

This paper explores how traditional narrative language used in film and theatre can be adapted to create interactivity and a greater sense of presence in the virtual heritage environment. It focuses on the fundamental principles of narrative required to create immersion and presence and investigates methods of embedding intangible social histories into these environments. These issues are explo...

This study investigates how the younger generation conceptualise cultural tourism attractions associated with modern history in contemporary South Korea. Particular attention in this study is given to heritage attractions built in the Japanese colonising past. By analysing data obtained through a Multiple Sorting Procedure, this study identifies the underlying facets of heritage attractions the...

Existing digital heritage systems accommodate a huge amount of digital repository information; however their content rendering and interaction components generally lack the more interesting functionality that allows better interaction with heritage contents. Many digital heritage libraries are simply collections of 2D images with associated metadata and textual content, i.e. little more than mu...

The complex issues of conservation, politics, tourism management and ownership have emerged as critical issues within the World Heritage debate and specifically within heritage tourism research. Within this context, this article focuses on issues of ownership and belonging and argues that there exists a link between the conceptual inconsistencies inherent in the World Heritage idea and the tens...

Our cultural heritage derives from the development and diversifi cation of human cultures and abilities. Scientifi c investigation of cultural heritage has several important aims: (1) increasing our knowledge and understanding of the tangible heritage; (2) assembling information, including physical evidence, in order to add cultural value to the heritage, including the “intangible” values; and ...

Geodiversity and geological heritage are considered to be parallel closely related concepts of biodiversity biological heritage. Biodiversity is based exists on the geodiversity a territory. In same way, mining activity distinguished as contributing social economic development. The linked has become increasingly important for its value relationship with tourist activities. This study aims analy...

A conflict between the preservation of the character of existing historic towns and “change” has formed the central argument for conservation. More recently, heritage has superseded conservation, where marketing of heritage as a product according to the demands of the consumer, mainly tourists, has resulted in the commercialisation of heritage over conservation values. Today, the symbiosis of b...

With the opening of the long-awaited Boyne Valley Centre in Summer 1997, the time has perhaps come to reassess the relationship between heritage and tourism in Ireland. In recent years, particularly since the start of the 1990s, there has been considerable debate and controversy about heritage issues, illustrating a high degree of public interest in the field. This paper outlines the main featu...

117 As Head points out, “the cultural heritage sector uses the classical geographical sense of landscapes as modified by human activity, with an emphasis on ancient monuments and historical buildings.” In other words, cultural landscape heritage is generally approached in terms of material or morphological artifacts that constitute culturally determined physical, and therefore visible, modifica...