83.2 Key Management Myths .................................................... 1070 Myth 1: A Key Qualifies as “Randomly Generated” If One or More Persons Create the Key Components from Their Imagination † Myth 2: An “Authorized” Person Can Create or Enter Cryptographic Keys without Compromising a Key † Myth 3: Requiring a Second Person to Supervise or Observe the Key Entry Process Is Dual Cont...

the yankee is an american national phenomenon. he had leapt into national stature when slipped outside of his local character. a myth was woven around him and a cult of the yankee developed by the permeation of the yankee characteristics in many different characters who played tricks or told stories and entertained their audiences. the present article is an attempt to observe the yankee myth, i...

This paper discusses the phenomenon of corporeal, which in Gennady Gor?s poems represents main instrument understanding absurd, extremely dehumanized, apocalyptic anti-world. The lyric hero, as sort a chronicler, records disintegration world-consciousness precisely through body: his body, body people closest to him, well nature, with man identifies, and is further manifested language, text. Loo...

The paper discusses intertextuality in Ivan Aralica’s novel Okvir za mržnju (A Framework for Hatred). interference of the oral and written medium is analysed not only at level primary orality (various marginally forms) but also secondary orality, often referred to as “new orality,” which transmitted through new, different media (for example, newspaper text, radio, television, wall newspapers). ...

Science 2.0 generally refers to new practices of scientists who post raw experimental results, nascent theories, claims of discovery and draft papers on the Web for others to see and comment on. Proponents say these "open access" practices make scientific progress more collaborative and therefore more productive. Critics say scientists who put preliminary findings online risk having others copy...

However far the work of art may form a world inherently harmonious and complete. still. as an actual single object. it exists not for itself, but for us, for a public which sees and enjoys it, [so that] every work of art is a dialogue with everyone who confronts it.. . . At certain epochs [however] the public may be corrupted by a highly praised 'culture', that is by having put into its head th...