We search for alternative musical scales that share the main advantages of classical scales: pitch frequencies that bear simple ratios to each other, and multiple keys based on an underlying chromatic scale with tempered tuning. We conduct the search by formulating a constraint satisfaction problem that is well suited for solution by constraint programming. We find that certain 11-note scales o...

Multi-pitch estimation of co-channel speech is especially challenging when the underlying pitch tracks are close in pitch value (e.g., when pitch tracks cross). Building on our previous work in [1], we demonstrate the utility of a two-dimensional (2-D) analysis method of speech for this problem by exploiting its joint representation of pitch and pitch-derivative information from distinct speake...

Neural representation of pitch-relevant information at both the brainstem and cortical levels of processing is influenced by language or music experience. However, the functional roles of brainstem and cortical neural mechanisms in the hierarchical network for language processing, and how they drive and maintain experience-dependent reorganization are not known. In an effort to evaluate the pos...

This study aims at investigating the interface between emotion and intonation patterns (more specifically, duration and pitch amplitude of speech). To this end, the acoustic properties of spectral parameters related to speech prosody are investigated. The results of acoustic and Statistical analysis show that mean level and range of FO in the contours vary strongly as a function of the degree o...

A discussion of tonal categories relating to pitch perception discrimination thresholds focuses on the differences between pitch perception per se and the perception of tonal timing. In the light of several experimental studies on the perception of tonal timing categories in different languages, it is hypothesized that the perception of level tones can be related to the highly acute psychophysi...