Cinema industry has chosen Digital Cinema Package (DCP) as encoding format for the distribution of digital films. DCP uses JPEG2000 for video compression. An efficient implementation of coding and decoding for this format is complex, however. Currently deployed equipment is expensive and has high maintenance costs, preventing art-house cinema theaters from acquiring it. Therefore, we conduct th...

The JISC funded IRIOS (Integrated Research Input and Output System) project developed a demonstrator integrating research information input (projects) and output (publications) datasets allowing data to be linked and exported in CERIF format. C4D (CERIF for Datasets), extends this platform to manage research datasets as outputs from research projects. Although research datasets vary and are ext...

The overall aim of CERIF for Datasets (C4D) is to develop a framework for incorporating metadata into CERIF (the Common European Research Information Format) such that research organisations and researchers can better discover and make use of existing and future research datasets, wherever they may be held. CERIF provides a standardised way of managing and exchanging research information and ha...

Defining space by dividing it to inside and outside is one of human’s ways to recognize his positionin environment. Architecture is created to response to this need for inside/outside spaces. Design of inside and outsideSpaces and relation between them always has been one of necessities for definition and limitation of human livingspaces, but little attention to relation of this two spatial rea...

The assumption of a clear demarcation and hierarchy between figure and ground has long informed key approaches in film studies to bodies and space. However, many filmmakers working in both animation and live cinema have confounded this hierarchy, working with an integration of figure and ground on equal terms to explore the full performative potential of the cinematic body. In the animation wor...

This article extends current theorizing in media psychology on audience responses to cinema by examining individuals’ perceptions of meaningfulness. Specifically, it presents the results of a study designed to expand upon research on psychological and subjective well-being to experiences and memories of films that are perceived as particularly meaningful by viewers. Characteristics and themes o...