A narrative is an ordered sequence of connected events, usually involving multiple participants. Most existing visualization techniques represent narratives as a node-link graph where a sequence of links shows the evolution of causal and temporal relationships between characters in the narrative. These techniques make a number of simplifying assumptions about the narrative structure, however. T...

Interactive storytelling applications have at their disposal massive numbers of human-authored stories, in the form of narrative weblog posts, from which story content could be harvested and repurposed. Such repurposing is currently inhibited, however, in that many blog narratives are not sufficiently coherent for use in these applications. In a narrative that is not coherent, the order of the ...

conclusions the current study showed that poorness and unreliability of “al-kafi” narratives is a vain thought. hence, it is recommended to perform clinical trial studies (at least) on accurate/authentic narratives, and also consider them as reputable and valid narratives, along with traditional medicine references. results from all narratives of the book “al-kafi” (pillars, furoo, and rouzat a...

Title of Document: BRITISH MODERNIST NARRATIVE MIDDLES Michael Eli Rosenberg, Doctor of Philosophy, 2013 Directed By: Professor Brian Richardson, Department of English Middles play a key role in shaping narrative form. However, while Edward Said has shown how beginnings shape the novel and a wide range of intellectual endeavors in Beginnings: Intention and Method, and Frank Kermode has explored...

1. introduction based on the general issues in cognitive linguistics regarding the role of different linguistic processes in meaning construction in a narrative text, introducing a new methodological analysis of meaning construction process in the emergent story of a text needs a methodological model. hence, the general purpose of this article is to introduce and apply a cognitive analytical mo...

abstract: myth is as old as mankind; it has transformed and lasted in the form of stories, and anecdotes, together with literary and artistic works. one cannot ignore the presence of myths in culture, literature and art (especially cinema) every era ranging from the age of aeschylus, euripides and aristophanes to the contemporary age of cinema has a firm attachment with myth- of all historical ...

This paper argues for a robust notion of collective identity which is not reduced to a psychological conception of identity. In a first part the debate on the concept of identity raised by several authors is taken up critically with the intention to defend a strong sociological conception of identity which by definition is a collective identity. The basic assumption is that collective identitie...