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This paper has two objectives: one is to explore the dialectics of remembering and forgetting, an issue traditionally neglected in psychological memory research; the other is to question the widespread dichotomy of individual and social memory. To do so, a cultural-historical perspective is outlined that allows us to conceive of individual memory as an inextricable part of an overarching cultur...

The paper introduces a case study on game journalistic practices and on the construction of historical self-understanding of game cultures. It presents results of the study of Finnish digital game reviews, retrieved from a major computer hobbyist magazine, MikroBitti. The results are based on a qualitative content analysis of 640 reviews from two magazine issues per year (1984–2010). The aim is...

The film industry can provide insights for researchers in cultural heritage. Modern movies require the management of an enormous number of digital assets, analogous to how digital assets are managed in cultural heritage. Furthermore, movies are cultural artefacts in their own right: the preservation of movies gives lessons in the preservation of other ephemera, including all of those digital as...

A small number of facial expressions may be universal in that they are produced by the same basic affective states and recognized as such throughout the world. However, other aspects of emotionally expressive behavior vary widely across culture. Just why do they vary? We propose that some cultural differences in expressive behavior are determined by historical heterogeneity, or the extent to wh...

Achieving cultural competence in the care of a patient who is a member of an ethnic or racial minority is a multifaceted project involving specific cultural knowledge as well as more general skills and attitude adjustments to advance cross-cultural communication in the clinical encounter. Using the important example of the African American patient, the authors examine relevant historical and cu...

in the case of the crisis of identity, one of the obvious emblems of the objecting new wave in cinema before the islamic revolution is to express the national identity. in this study the problem is to recognize the components of national identity in bahram beyzaie works. introducing the concept of identity ,it’s dimensions and components the ingredients of identity is searched in three main fil...