New media have been widely used by radical groups of both Left and Right to advance their political projects. The aim of this article to provide a theoretical framework, through developing the concepts of public sphere and counter-public sphere, which allows us to understand the growing importance of alternative media in society and to indicate how this framework might generate questions for

Ubiquitous learning (U-Learning) has an increasing trend as the coming forth of more new media and instructional ideas. U-Learning focuses on the combination of learning environment and substance space, emphasizing the learning can be happen as seeing, hearing, reading, or apperceiving whenever the learner wanted. Hybrid learning, sometimes called “blended learning”, emphasizes to maximize stud...

In this paper we describe recent developments in the Medialogy education at Aalborg University Copenhagen focusing on the role of sound in interactive new media. Furthermore, we describe new educations which have been developed in Medialogy in the last year in which sound plays an important role.

Compared to pop music, the audience of classical music has decreased dramatically. Reasons might be the way of communication between classic music and its audience that depends on vocal expression such as timbre, rhythm and melody in the performance. The fine details of classic music as well its implied emotion among the notes become implicit to the audience. Thus, we apply a new media called d...

Introduction What is new about new media? Its development and use is more influenced by economic factors than the old media. And the new media is more central to the new economy. Indeed, an ever more popular theme in the scientific literature, government policy documents and the popular press, is that technologically advanced economies are in the process of moving beyond industrial capitalism t...

This article investigates how codes and signals were employed in avant-garde poetry and art in the 1960s, and how such attempts were performed in the wake of cybernetics and (partly) through the use of new media technologies, such as the tape recorder and the computer. This poetry*as exemplified here by works by Åke Hodell, Peter Weibel, and Henri Chopin*not only employed new materials, media, ...