The development of new interfaces for musical expression has created a need to study how spectators comprehend new performance technologies and practices. As part of a larger project examining how interactions with technology can be communicated with the spectator, we relate our model of spectator understanding of error to the NIME discourse surrounding transparency, mapping, skill and success.

How do spectators engage with, elaborate on and articulate the experience of a digital performance? What are parameters that regulate bodily interaction between performers spectators, when latter ‘not seen to be seeing’ through screens? When how can spectator gain agency in mediated creative encounter? This practice research aims re-construct affective nature entanglement spectator’s body techn...

This article explains how Netflix has transformed the ways in which we interact with media contemporary milieu. I argue that works through a process of planned differentiation, designing unique customization experiences to create new type user participates its global and regional release production strategies. leads me into discussion interface manages spectators’ experience series connected fe...

Abstract Historians of modern India have emphasized the reflexivity men and women in making womanhood, paying attention to notions gender difference emerging from both primordial, restrictive codes behaviour contrarian impulses towards what was popularly called progress. There been relatively few attempts trace interaction outdoor leisure activities, public displays femininity, male regulatory ...

The purpose of this study is to explore spectators' worries and attitudes during the COVID-19 pandemic compare them by age group. survey was conducted with spectators at a home match for Victorina Himeji, professional women's volleyball club in Japan. Two hundred seventeen rated their about becoming infected after being arena as well pandemic. results reveal that visiting had significant levels...