On the example of Apocalypse Now by F. Coppola, Heart Darkness N. Roeg, The Duellists R. Scott, Shadow Line A. Wajda, and Secret Sharer P. Fudakowski, I would like to show that Joseph Conrad’s prose is a cinematic trap for film directors. This being so, attempt answer question as why it so difficult make something cinematic, when read, adaptations closely follow narratives are less Conradian th...