Objective measures of musical tempo are linked to a particular metrical pulse, and this is most likely true for subjective tempo as well. Therefore, tapping along with a rhythm should be predictive of relative tempo judgments. The difficulty of such judgments may lie in the choice of a particular metrical level as the referent. Multiple levels may compete and create ambiguity. Analogies are dra...

This thesis is concerned with the perception of time in music with emphasis on tempo, emotion and time perception in music. Three studies were conducted to assess whether listeners were able to make consistent judgements about tempo that varied from piece to piece. Listeners heard short extracts of Scottish music played at a range of tempi and were asked to make a two alternative forced choice ...

O objetivo do presente estudo foi determinar os parâmetros farmacocinéticos da ropivacaína encapsulada em lipossomas após anestesia local em 14 voluntários sadios. Neste estudo randomizado, cruzado e duplo-cego, os voluntários receberam anestesia infiltrativa na maxila de ropivacaína a 0,5% encapsulada em lipossomas e ropivacaína 0,5% com epinefrina a 1:200.000 em duas sessões distintas. Amostr...

We describe a computer program which is able to estimate the tempo and the times of musical beats in expressively performed music. The input data may be either digital audio or a symbolic representation of music such as MIDI. The data is processed off-line to detect the salient rhythmic events and the timing of these events is analysed to generate hypotheses of the tempo at various metrical lev...

Tempo estimation is a common task within the music information retrieval community, but existing works are rarely evaluated with datasets of music loops and the algorithms are not tailored to this particular type of content. In addition to this, existing works on tempo estimation do not put an emphasis on providing a confidence value that indicates how reliable their tempo estimations are. In c...

The number of scholars following the tempo approach in fertility continues to grow, whereas tempo-adjustment in mortality generally still is rejected. This rejection is irrational in principle, as the basic idea behind the tempo approach is independent of the kind of demographic event. Providing the first empirical application to a substantial problem, this paper shows that mortality tempo-adju...

Beat tracking – i.e. deriving from a music audio signal a sequence of beat instants that might correspond to when a human listener would tap his foot – involves satisfying two constraints: On the one hand, the selected instants should generally correspond to moments in the audio where a beat is indicated, for instance by the onset of a note played by one of the instruments. On the other hand, t...

One of the difficulties with assessing tempo or beat tracking systems is that there is no standard corpus of data on which they can be tested. This situation is partly because the choice of data set often depends on the goals of the system, which might be, for example, automatic transcription, computer accompaniment of a human performer, or the analysis of expressive timing in musical performan...

Automated beat tracking and tempo estimation from music recordings become challenging tasks in the case of nonpercussive music with soft note onsets and time-varying tempo. In this paper, we introduce a novel mid-level representation which captures predominant local pulse information. To this end, we first derive a tempogram by performing a local spectral analysis on a previously extracted, pos...