This article analyses the production of audiovisual fiction as an instrument for disseminating image Alhambra (Granada) and Royal Alcazar (Seville) tourism purposes. The methodology used was twofold: qualitative, carrying out exhaustive bibliographic review, but also quantitative, using primary sources, through identification films shot, visualization collection metadata scenes filmed. informat...

This article takes the autofictional trauma cinema created by Lebanese artists and film-makers Joana Hadjithomas Khalil Joreige in their Je veux voir [‘I want to see’] (2008) as a case study that demonstrates potential value of film-analytical methodology grounded concept cinéma-monde. A Franco-Lebanese co-production starring Catherine Deneuve, occupies hybrid generic position between documenta...

Differences in Northern and Southern European gender relations have historical roots that can be investigated the regions’ literature cinema. The mating morality of romantic love facilitated West’s First Sexual Revolution mid-eighteenth century. Scandinavian Modern Breakthrough, a late-nineteenth-century literary movement, used Darwinian perspectives to reveal delusions double standards. moveme...

This paper presents an in-depth analysis of the importance of innovative Science Fiction Prototyping systems in different sectors with focus on educational aspects and the support of virtual environments. Therefor we investigate the utility of Science Fiction Prototypes in different environments and introduce a design model to implement flexible setups in virtual world. We illustrate how config...

Citation: Zioga P, Pollick F, Ma M, Chapman P and Stefanov K (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191 “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and ...

This article extends current theorizing in media psychology on audience responses to cinema by examining individuals’ perceptions of meaningfulness. Specifically, it presents the results of a study designed to expand upon research on psychological and subjective well-being to experiences and memories of films that are perceived as particularly meaningful by viewers. Characteristics and themes o...

Cinema is a multidimensional art capable of affecting our neurophysiologic structure in different ways. Studies show that different parts of the brain are activated while watching a structured film and consequently, the movie imitates consciousness structure. This imitation of the consciousness structure enables cinema to deeply influence the brain. The effect and its manner are the main themes...

We quantify competition among traders by the Herfindahl Index. The index is widely used to assess market concentration and it is computed as the sum of the squared market shares. We study the market for liquidity provision. In an electronic limit order book, liquidity is provided by passive orders and a trader’s market share is the fraction of passive limit order volume that this trader provide...

Animation has always had its champions. Animators and fans have often proved eager to sing the praises of animation and especially to laud it over and above cinema. To give examples: French animation director René Laloux (2006) famously declared animation to be the true cinema, and in a humourous yet profound essay exploring the ‘evolution’ of Mickey Mouse from adult to juvenile, renowned biolo...

Some scientists write literary fiction books in their spare time. If these books contain scientific knowledge, literary fiction becomes a mechanism of knowledge transfer. In this case, we could conceptualize literary fiction as non-formal knowledge transfer. We model knowledge transfer via literary fiction as a function of the type of scientist (academic or non-academic) and his/her scientific ...