This position paper presents models of interactions among audience members for installation and workshop-type media artworks that accommodate the participation of more than one audience member. To suggest models that are applicable for new media works, we select some examples from the contemporary-art field. Two artwork plans using this model are introduced as direct implementations of the models.

“Locative media may be understood to mean media in which context is crucial, in that the media pertains to specific location and time, the point of spatio-temporal 'capture', dissemination or some point in between. The term "locative media" initially appeared [...in 2003...] as a tentative category for new media art that sought to explore the intersection of the virtual space of the Internet wi...

The Dada movement was a multimedia avant-garde art practice that began in Zurich during World War I and flourished in Berlin, Paris, and New York from 1916 until 1920. Beginning as a disgusted response to the war and the blithely nationalistc bourgeois attitudes the Dada felt were at the root of the conflict, the Dada developed and refined the notion of "anti-art" as an expression of dissatisfa...

This text is an investigation into media culture, temporalities of media objects and planned obsolescence in the midst of ecological crisis and electronic waste. The authors approach the topic under the umbrella of media archaeology and aim to extend this historiographically oriented field of media theory into a methodology for contemporary artistic practice. Hence, media archaeology becomes no...