When invited by Martin Scorsese to compose an original soundtrack for Shutter Island, Robbie Robertson, The Band’s guitarist and Scorsese’s long-time collaborator, proposed a selection of works modern composers instead. Among those were Root Unfocus (1944) Music Marcel Duchamp (1947) the avant-garde composer John Cage. first is prepared piano piece conceived at pivotal moment in Cage’s career a...

How does one re-use pre-existing material in order to form an expanded choreographic practice of relating audio-visual archive without being considered stealing or lacking originality? Copying, re-using and appropriation, not innocent from copyright implications but often entrapped the modernist myth originality, are practices that have been enhanced by growth digital available on internet expa...

in order to be attracted, each work of must encounter viewer in its environment. at first it is virtual and is the result of sensitive subjectivity of the artist, and then it will be changed to objectivity and forms a piece of artwork. the artist of filmmaker is changing the virtual environment of the film; the virtual situation which is made in the mind of the scriptwriter and himself; and use...

The contemporary Brazilian context offers a growing artistic and cultural production, generated by LGBTQIA+ subjects, which disputes narratives sensitivity, suggests new ways of being in the social world. This article looks at how such artistic-cultural production can bring critiques contributions on peacebuilding. questions to think peacebuilding from queer perspectives: it confronts with diss...

This article places two Japan-Korea collaboration films produced during the Pacific War— Suicide Squad at the Watchtower (B!r! no kesshitai, 1943) and Love and the Vow (Ai to chikai, 1945)—within the broader colonial and transnational context of filmmaking. Specifically, it focuses on the relationship of these films to the careers of their co-directors, Imai Tadashi (1912– 1991) and Ch’oe In-gy...

In Canadian filmmaker Mary Harron’s The Moth Diaries (a Canadian/American/Irish co-production), exploring adolescent girls’ friendships and self-harm in a boarding school setting, blood is out of place. It drips from the protagonist’s father’s wrist artery, willingly shed suicide; involuntarily tarnishes her nightgown as menstrual blood; falls on director’s china figurines nosebleed; pours libr...

How can a serial fiction product use elements of Brazilian folklore, in combination with the fantastic and horror, to build its narrative? Based on this question, present work analyzes webseries Imaginário (2016), by filmmaker Bruno Esposti, which narrates, each chapter, an urban or folkloric legend Brazil. This article aims, therefore, detect intersections between national digital media horror...

This article aims to discuss the Brazilian short film Ashes in Pantanal (2021), lasting 3 minutes and 21 seconds, its aesthetic devices, bets on constitution as an emancipated filmic work. The work depicts great fires that occurred 2020. by filmmaker Mariana Marques animated Tiago Franco, produced stop motion, used scenarios characters made origami artist Elder Alves, requiring more than 350 te...

This study aims to identify instances of discrimination and stigma towards PLWHA in the online Carlo’s serial. The next goal is evaluate educational topics present Carlos’ web series. should serve as a reference for anyone interested conducting communication studies research, especially areas text movies’ analysis. It also anticipated that this research will provide basic overview HIV-positive ...

This article examines filmmaker Paulo Gil Soares’s early work with a particular focus on the documentary O Homem de Couro (1969/70), in context of Brazil’s military dictatorship (1964-85), documentary-film initiative known as “Farkas Caravan,” and 1960s-era Brazilian more broadly. I argue that represents an audiovisual renewal revision Euclides da Cunha’s portrayal northeastern vaqueiro Os Sert...