We present a quantitative analysis of 442 pieces of fiction published between 5 October 1992 and 17 September 2001 in the New Yorker magazine. We address two independent questions using the same data set. First, we examine whether changes in the Executive Editor or Fiction Editor are associated with significant changes in the type of fiction published at the New Yorker. Second, we examine wheth...

This study examines ‘Indian cinema and Muslim image’ from 2002 to 2008. From the very beginning and particularly since 9/11 incident, the Indian film industry very often portrays the Muslim with stereotype image (which is negative). After the 9/11 incident, Muslims are being looked as suspicious people and portrayed as terrorists. Indian film industry adds fuel to the fire by making a lot of mo...

Psychoanalysis and the cinema were born at the end of the nineteenth century. They share a common historical, social, and cultural background shaped by the forces of modernity. Theorists commonly explore how psychoanalysis, with its emphasis on the importance of desire in the life of the individual, has influenced the cinema. But the reverse is also true-the cinema may well have influenced psyc...

There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radi...

This paper is a proposal for PhD level research into brain controlled film. I place brain computer interfaces (BCI) in a historic and then an artistic context before exploring instances of research where film and BCI overlap. I then define what has not been covered by research and propose a way to contribute to that gap in knowledge. I explain my interest in the subject, and the methodologies I...

In Faraday and Plateau's days, both apparent motion and the fusion of intermittent lights, two phenomena that are hardly connected, were explained by retinal persistence. The works of Exner and of the 'Gestalt' psychologists, as well as the modern works on 'sampled' motion and smooth motion, disregarded retinal persistence. One tried, originally, to measure this persistence using intermittent s...

Dalhousie Journal of Interdisciplinary Management Abstract: This paper examines the increased censorship of film during the inaugural decades of the Soviet Union. Through an overview of the different genres and trends of Soviet cinema during this time, I draw parallels to the political climate and the role of film as an information medium. Censorship remains a persistent, if evolving, feature o...

Models of cinema demand have tended to employ aggregate data and focus on price and income as key variables. Surprisingly, the effects of travel time and location have not been formally investigated. The authors do so, following developments in the environmental economics literature, by presenting estimates of individual travel cost models for multiplex and nonmultiplex cinemas. A key finding i...

Observational cinema is one of the most controversial forms of visual anthropology. After its inception in the 1970s, it was initially praised as a breakthrough in ethnographic filmmaking. However, since then it has suffered years of neglect and heavy criticism, mostly directed at its naïvité, alleged scientism and illusion of objectivity. The time has finally come for a revision of those claim...