Velimir Bata Živojinović boasts a body of work which traverses 350 motion pictures from Classical Yugoslav Cinema over The New Film to Contemporary Serbian Cinema, historical epic film noir, family comedy radical avant-garde. A legendary actor and one the most significant personalities cinema, he is best remembered as archetypal hero Partisan film. This research examines ways in Živojinović’s p...

Raymond Bellour observes that, in terms of the dispositif, it has been some time since cinema could be classified according to Serge Daney’s designation “cinema, alone”, that is, when was only art provide moving image and sound; indeed, suggests although we came believe “the dispositif”, perhaps ever just one multiple dispositifs (2). In Cinematic Intermediality: The Passion for In-Be...

Since the 20th century, art has undergone a radical change in both concept and form under influence of technology. With mutual integration modern technological means artistic thinking, new media came into being. Its birth development is remarkable novelty, its rapid turn pushes innovation transformation traditional art, opening window for film art. Interactive cinema grown rapidly based on tech...

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painting) Acumen (literature) Adaptive (history and humanities) Allegory moralizing (painting) Ambiguous (history and humanities) Antagonist (history and humanities, literature) Aseptic (history and humanities) Belief in miracles (history and humanities) Buck (history and humanities) Candor (history and humanities) Centred (humanistic-historical) Christian (history and humanities, literature) C...

As the technical difficulties of delivering filmic imagery on interactive devices are overcome, the problems raised by combining such imagery with interaction become more obvious. Though film, whether conceived in terms of classical Hollywood or other cinema, has proved a remarkably powerful medium of expression, how helpful is it to adopt filmic practices for interactive media? By analysing fi...

this research aims to make an analysis of the content and semiology of the image of the women society in the cinematic works of ebrahim hatamikia. the (statistical) society of this research consists of four movies (the watchman, the scent of joseph's shirt, the red ribbon, invitation) out of total movies produced by him during four separable chronological sections in iran i.e. imposed wart...