This article explores Lesley Nneka Arimah’s “Windfalls” (2017) from a literary mobility studies perspective, applying notions of such as the driving-event, friction, arrhythmia, and stickiness for an in-depth textual analysis. Given that its female migrant protagonists are constantly on move, tropes recur throughout story. Cars, filling stations, parking lots, truckers, motels figure sojourner ...
