Wittgenstein as Davidson on Metaphor In Wittgensten und die Metaphor, eds. Arnswald, Kertscher, and Kross, Parerga Verlag, Berlin, 2004, as “Wittgenstein mit Davidson uber Metaphor,” (German translation) pp. 195-220. This essay has five parts: First, I explain some fundamental agreements between Davidson and Wittgenstein. I argue that Donald Davidson’s views and Wittgenstein’s views in the Inve...

Research into the computational properties of the human metaphor faculty can be categorized according to two different perspectives: the lexico-semantic approach, most favoured by linguists, which sees metaphor as a predominantly linguistic phenomenon and thus attempts to model it as such; and the conceptual approach, which sees metaphor as a deep-seated cognitive agency that systematically org...

As a type of symbol, there are four dimensions in icons’ symbolic interpretation, namely semantic, syntactic, contextual and pragmatic dimension. Among those dimensions, semantic dimension is the most important one in user’s cognitive analysis. Based on the representation of semantics, icons can be classified into four types, namely function-metaphor, operation-metaphor, object-metaphor and mea...

BACKGROUND Subjective experiences of psychotic disorders are often not communicated because of the difficulty in articulating them. Metaphor is a valuable way of describing these experiences to others. Recovery in psychotic disorders involves consolidation and transitioning processes. The ontological and orientational types of metaphor seem to form the linguistic basis of these processes. AIM...

This paper analyzes the limitations of selectional-preference based metaphor recognition, and proposes a new model for metaphor recognition, using Chinese subject-predicate construction as illustration. After showing with experiments that selectional-preference based metaphor recognition has difficulty in recognizing conventional metaphors and literal expressions with low frequency, the paper p...

Aptness, defined as how the vehicle is well able to cover the salient features of the tenor (e.g., oil is like liquid gold vs. a train is like a worm), is claimed to be an important factor in the preference for metaphors over similes, or vice versa. This study was an attempt to test for the supposed correlation between the perceived degree of aptness and a priori stylistic preference for metaph...