This paper presents a simple framework for computational design creativity evaluation, presenting its components with rationale. Components are linked to recent computational creativity research in both art and design. The framework assumes that the product, not the process, is being evaluated, and that evaluation is done by comparison with descriptions of existing products using a set of aspec...

I believe to interpret the thought of all the participants to this fourth conference on Generative Art affirming that generative art is a deep creative experience and, somehow, visionary too. This experience, in fact, anticipates the possible evolution of the fields proper of human creativeness, rediscovering paths and approaches to ideation that have been proper of one of the most fertile mome...

Creativity and innovation drive competitiveness in the 21st century enterprises. Dynamic hyper-intensive competitive markets demand widespread innovations from all employees in most global enterprises. Leaders influence and set the contextual environments under which their employees express creativity. This paper will examine how different leadership models relate with individual creativity. It...

Research in design creativity has focused on individual creativity and on creativity in a collaborative or organizational setting. Collective design and crowdsourcing creativity differ from individual and collaborative creative design by building on the foundations of social computing so thatindividuals are motivated to contribute voluntarily. Research that improves our understanding and suppor...

Bilingualism is commonly assumed to improve creativity but the mechanisms underlying creative acts, and the way these mechanisms are affected by bilingualism, are not very well understood. We hypothesize that learning to master multiple languages drives individuals toward a relatively focused cognitive-control state that exerts strong top-down impact on information processing and creates strong...

In the present study we investigate hemispheric processing of conventional and unconventional visual stimuli in the context of visual and verbal creative ability. In Experiment 1, we studied two unconventional visual recognition tasks-Mooney face and objects' silhouette recognition-and found a significant relationship between measures of verbal creativity and unconventional face recognition. In...

We consider a combination of two recent proposals for characterizing computational creativity and explore the sufficiency of the resultant framework. We do this in the form of a gedanken experiment designed to expose the nature of the framework, what it has to say about computational creativity, how it might be improved and what questions this raises.

Creativity is one of the most important assets we have to navigate through the fast changing world of the 21st century. Anecdotal accounts of creative individuals suggest that oftentimes, creative discoveries result from a process whereby initial conscious thought is followed by a period during which one refrains from task-related conscious thought. For example, one may spend an embarrassing am...

Synchronization of EEG alpha activity has been referred to as being indicative of cortical idling, but according to more recent evidence it has also been associated with active internal processing and creative thinking. The main objective of this study was to investigate to what extent EEG alpha synchronization is related to internal processing demands and to specific cognitive process involved...

The main aim of this paper is contributing to what in the last few years has been known as computational creativity. This will be done by showing the relevance of a particular mathematical representation of Gärdenfors’s conceptual spaces to the problem of modelling a phenomenon which plays a central role in producing novel and fruitful representations of perceptual patterns: analogy.