While 3D cinema is becoming increasingly established, little effort has focused on the general problem of producing a 3D sound scene spatially coherent with the visual content of a stereoscopic-3D (s-3D) movie. The perceptual relevance of such spatial audiovisual coherence is of significant interest. In this paper, a subjective experiment is carried out where an angular error between an s-3D vi...

This paper studies the interaction between vertical integration and platform ecosystem, two co-existing intra-organizational forms. Specifically, the work investigates the moderating role of platform strategies on the relationship between vertical integration and performance. The study analyzes data from 1922 cinemas of China’s film industry that is undergoing business transformation as a resul...

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Though Mexican cinema has been the object of numerous studies, few of these refer to the process of audience reception: to that intimate moment of cinematic communication in which the gazing subject discovers part of its identity while simultaneously appropriating the film. In this article I would like to share the findings of a research project that advances the study of audience reception fro...

As part of our broader initiative on promoting the education in the field of IVA control mechanisms at high schools and universities, we have created a micro-game Cinema Date, which introduces students challenges posed by controlling 3D virtual characters and expressing their emotional state. The game features two virtual teenagers dating on their way to the cinema. The player can influence the...

cinema as a cultural industry, is the promoter of identity, memory, dreams and collective projects. mexico has introduced its collective identity to the world, using this industry. examining the application of this industry in mexican cinema can be considered an important step for improving the country’s cinema. approaches to the origins of modern nations consider culture as a fundamental const...