نتایج جستجو برای: noir cinema
تعداد نتایج: 8044 فیلتر نتایج به سال:
The last 20 years have seen Colombian film production soar. Two cinema laws, one in 2003 and the other 2012, allowed for an increase of films employability this ...
in addition to his revolutionary philosophy and his fundamental criticism on psychoanalysis to which he owes his fame, gilles deleuze, the great philosopher, devotes an important part of his thought to formulating the ontology of cinematic image and hence turned out to be known as the only philosopher of cinema. thanks to the multiple classifications of images and creating philosophical concept...
How can authors fictionalise trauma without cognitively suffering intense vicarious in that writing process? This paper explores this question through the lens of fictionalised Intimate Partner Violence (IPV) representations domestic noir narratives. Domestic operates within constraints a space is subverted from sanctuary to potential psychological tyranny or violence. may include reiterative c...
The expansion of international business in cultural products opens up an opportunity to present the cinematic works to the international markets and gain economic interests and cultural power. Nevertheless, most countries, including Iran, so far have not yet actively participated in global movie markets. Seizing such an opportunity requires pinpointing the factors influencing the readiness of I...
As part of our broader initiative on promoting the education in the field of IVA control mechanisms at high schools and universities, we have created a micro-game Cinema Date, which introduces students challenges posed by controlling 3D virtual characters and expressing their emotional state. The game features two virtual teenagers dating on their way to the cinema. The player can influence the...
Technologies that were initially developed to be applied within the domain of video games are currently being used in experiments to explore their meaning and possibilities for cinema and cinema audiences. In this position paper we examine how narrativity, interactivity and engagement are mutually reshaped within this new domain of media entertainment, addressing both the production and the use...
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