We are grateful for, but unconvinced by, Roger Crisp’s defence of the Priority View against our critique.1 In this reply, we show that Crisp fails to grapple with, much less defeat, the central claim of our critique. We also show that an example that Crisp offers in support of the Priority View in fact lends support to our critique of that view. 1. In sections I–II of our article, we endorse th...

In a famous critique, Goodman dismissed similarity as a slippery and both philosophically and scientifically useless notion. We revisit his critique in the light of important recent work on similarity in psychology and cognitive science. Specifically, we use Tversky's influential set-theoretic account of similarity as well as Gärdenfors's more recent resuscitation of the geometrical account to ...

This essay examines components of the critique process used for American music education journals. Issues of criticism and critique are explored from three perspectives: those who oversee, those who contribute to, and those who constitute the audiences for these journals. This analysis concerns both implicit and explicit aspects of critique as they relate to peer review, journal rankings, the r...

Le MOMAS, c’est un lieu artistique utopique (1993-1996), installe sur une ile des Cyclades et invente par le tres perturbateur artiste allemand Martin Kippenberger (1953-1997). « Museum of Modern Art Syros » (MOMAS) n’a jamais vraiment ete ouvert visite que quarantaine de personnes au cours quelques interventions ephemeres. C’etait certainement camaraderie d’echanges, mais surtout critique tant...

Despite the numerous projects and exhibitions dedicated to technology Internet infrastructure, “Data Center Studies” has not yet fully grappled with art’s role in wider intervention critical scholarship is making via data center—as object, cultural image, sociotechnical imaginary, site, metaphor, concept. In this article, I weave artworks insights from artists make a theoretical about what cons...

The paper first discusses early work that predated internet art and that was concerned with active audience participation in electronic art and describes the path of development of the first author’s artworks that have looked at human to human communication through electronic (computer) systems from 1970 until today. The fundamental concept has been to make artworks that explore human communica...