The analysis of musical interpretation or expressive performance, an important research topic in Computer Music, is almost exclusively devoted to the study of western classical music for the piano. Instruments like the acoustic guitar and styles like Bossa Nova and Samba have almost never been studied, despite their harmonic and rhythmic richness. This paper describes some experimental results ...

A new approach is proposed that closely synthesizes tones of plucked string instruments by using a class of physical modeling recurrent networks. The strategies employed consist of a fast training algorithm and a multistage training procedure that are able to obtain the synthesis parameters for a specific instrument automatically. The training vector can be recorded tones of most target plucked...

This paper presents a frequency-domain technique for estimating the plucking point on a guitar string from an acoustically recorded signal. It also includes an original method for detecting the fingering point, based on the plucking point information.

We explore how to digitally augment musical instruments by connecting them to their social histories. We describe the use of Internet of Things technologies to connect an acoustic guitar to its digital footprint – a record of how it was designed, built and played. We introduce the approach of crafting interactive decorative inlay into the body of an instrument that can then be scanned using mob...

Multichannel (or divided) audio pickups are becoming increasingly ubiquitous in electric guitar and computer music communities. These systems allow performers to access signals for each string of their instrument independently and concurrently in real-time creative practice. This paper presents an open-source audio breakout circuit that provides independent audio outputs per string of any chord...

This paper explores the problem of automatically detecting electric guitar solos in rock music. A baseline study using standard spectral and temporal audio features in conjunction with an SVM classifier is carried out. To improve detection rates, custom features based on predominant pitch and structural segmentation of songs are designed and investigated. The evaluation of different feature com...

This paper describes a semi-quantitative method, suitable for a student laboratory exercise that shows that the acoustic properties of the soundbox of a musical instrument depend on the sound speed of the atmosphere surrounding and filling the instrument. A gas tent was constructed and used to enclose instruments in helium, carbon dioxide and mixtures thereof, allowing the sound speed to be var...

We explore how to digitally augment musical instruments by connecting them to their social histories. We describe the use of Internet of Things technologies to connect an acoustic guitar to its digital footprint – a record of how it was designed, built and played. We introduce the approach of crafting interactive decorative inlay into the body of an instrument that can then be scanned using mob...

This paper investigates the effect of various modifications to an acoustic steel string guitar on lowfrequency dynamics and sound pressure level. Modifications include string tension, sound-hole area and depth, bridge pin mass, top plate mass, stiffness and damping. Frequency response measurements are provided for all modifications considered. A lumped parameter model is found to capture the ch...

Instruments like the piano or guitar have a long tradition in many cultures such that non-musicians who encounter them understand that the piano keys can be pressed and the guitar strings can be plucked. Users of computer-based sound synthesis tools must use parameter names and interface feedback to develop a model of the available sound space of the instrument. Not all users may attribute the ...