A digital editor provides the timeline control necessary to tell a story through film. Current technology, although sophisticated, does not easily extend to 3D cinema because stereoscopy is a fundamentally different medium for expression and requires new tools. We formulated a mathematical framework for use in a viewer-centric digital editor for stereoscopic cinema driven by the audience’s perc...

The article engages Hungarian film production between 1945 and 2005 from a twofold perspective. It surveys women’s inclusion in the film-making profession and assesses the representation of women in Hungarian cinema. The study seeks answers to the questions whether state-socialist emancipation rhetoric and policies targeting women’s employment and social inclusion have also affected 1) the doma...

In Construction Morphology (CM), a compound is treated as a construction at the word level with a systematic correlation between its form and meaning, in the sense that any change in the form is accompanied by a change in the meaning. Compound words are coined by compounding templates which are called abstract schemas in CM. These abstract constructional schemas generalize over sets of existing...

In the entertainment industry’s quest for the “suspension of disbelief,” two primary sensory stimuli have been engaged: sight and sound. Since the advent of digital audio, a number of new multitrack digital sound formats have appeared in the motion picture industry, all in an attempt to achieve the ultimate audio experience. However, visual presentation has not advanced at the same pace as the ...

In her article "Shen (1904-1940) film 十字街頭 (1937) (Crossroads Hollywood and Soviet cinema in 1930s explores the transcultural and transmedial possibilities and potentials in the in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the paradoxical attitude toward US-American and Soviet films, Chinese fil...

A plug-in for the 3D modeling application CINEMA 4D is presented which allows to use the graph transformation language XL to transform the 3D scene graph of CINEMA 4D. XL extends Java by graph query and rewrite facilities via a data model interface, the default rewrite mechanism is that of relational growth grammars which are based on parallel single-pushout derivations. We illustrate the plug-...