Based on the existing research on sound symbolism and crossmodal correspondence, this study proposed an extended research on cross-modal correspondence between various sound attributes and color properties in a group of non-synesthetes. In Experiment 1, we assessed the associations between each property of sounds and colors. Twenty sounds with five auditory properties (pitch, roughness, sharpne...

Tempo estimation is a fundamental problem in music information retrieval and has been researched extensively. One problem still unsolved is the tendency of tempo estimation algorithms to produce results that are wrong by a small number of known factors (so-called octave errors). We propose a method that uses supervised learning to predict such tempo estimation errors. In a post-processing step,...

This paper concerns both rhythm recognition and tempo analysis of expressive music performance based on a probabilistic approach. In rhythm recognition, the modern continuous speech recognition technique is applied to find the most likely intended note sequence from the given sequence of fluctuating note durations in the performance. Combining stochastic models of note durations deviating from ...

Parallel computers and distributed systems are becoming increasingly important. Their impressive computation to cost ratios o er a considerable higher performance than that possible with sequential machines. Yet there are few commercial applications written for them. The reason is that programming in these environments is substantially more di cult than programming for sequential machines. In t...

Sluggish was identified in a population of third generation mice descended from N-ethyl-N-nitrosourea-mutagenized sires. Macrophages from homozygotes exhibited impaired TNF-alpha production in response to all TLR ligands tested and displayed impaired type I IFN production in response to TLR7 and TLR9 stimulations. The phenotype was confined to a critical region on mouse chromosome 18 and then a...

Musical ensemble performance requires temporally precise interpersonal action coordination. To play in synchrony, ensemble musicians presumably rely on anticipatory mechanisms that enable them to predict the timing of sounds produced by co-performers. Previous studies have shown that individuals differ in their ability to predict upcoming tempo changes in paced finger-tapping tasks (indexed by ...

In the current literature preferred tempo is usually located around 100 bpm (600 ms) (Fraisse, 1982). We will give a review of more recent experimental evidence and present a series of experiments and analyses of existing data that show that preferred tempo is located at a significantly faster speed. It will be shown that it is located somewhere between 120 and 130 bpm, so 500 ms (120 bpm) is m...

In this paper, we describe a CBR system for applying musically acceptable tempo transformations to monophonic audio recordings of musical performances. Within the tempo transformation process, the expressivity of the performance is adjusted in such a way that the result sounds natural for the new tempo. A case base of previously performed melodies is used to infer the appropriate expressivity. ...