theatre is not just bound to what happens on the stage and in front of the eyes of the spectators. the process of preparing and practicing theatre is effective in training people. in this way theatre sociologists have studied theatre from the point of view of affects on social contacts and pedagogical theorists who think that childhood is the most important period in forming people personality ...

The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media “factual” is being challenged in German theatre. move “postfictional” involves an shift that affects theatre as a medium, has provoked political public resistance.

theatrical works of art related to iraq & iran war are refered to as the genre of “the sacred defense theatre”. although various organizations were established to support these works but this genre have not been produced continuously. indeed, the sacred defense theatre is a kind of war theatre that not only deals with themes, situations, events and characters of war but also reflects moral and ...

This paper investigates Jordanian playwright Nader Omran’s adaptation of Shakespeare’s Hamlet. It examines dramatization the struggle Arab youths in a region ruled by corrupt leaders. In particular, focuses on how Omran transforms Ophelia into an assertive and dynamic character to reflect contemporaneous circumstances conditions World A Theatre Company Found Theatred Hamlet (1984). adaptation, ...

The paper examines the origins and artistic practice of futuristic theatre in Ukraine during 1910s 1920s. Aesthetic postulates Italian as compared to theatrical manifestos Ukrainian futurists were analyzed. study allows draw a circle personalities involved experiments abroad, whose creative activity was interconnected who considerably influenced each other. Also discussed are eloquent examples ...