This essay looks at the use of vernacular web culture by new right. Specifically it focuses on how, in recent years, right appropriated a genre aesthetics known as ‘vapourwave’ to create sub-genre ‘fashwave’. Like vapourwave before it, fashwave taps into cultural imaginary that is nostalgic for an imagined ‘cyberpunk’ past future — but while former has been subject monograph (Tanner 2016), very...