En este artículo estudio los textos Los demonios, de Dostoievski, su adaptación teatral por Albert Camus, y Les justes, también segundo autor. El objetivo es comparar el pensamiento dostoievskiano camusiano desarrollado en torno a personajes que representan revolucionarios rusos. Las conclusiones se refieren la estrategia lectura reescritura Camus operó sobre Dostoievski.

Correction for 'Measuring the effects of fractionated radiation therapy in a 3D prostate cancer model system using SERS nanosensors' by Victoria L. Camus, et al., Analyst, 2016, 141, 5056-5061.

In the 1950s, my wife-to-be, Barbara, and I, like many other college students, read and were excited by the works of the French writers Jean-Paul Sartre and Albert Camus. Over the years, we read as many books as we could by and about these two existentialists, their lives and their eventually acrimonious intellectual battles [1]. Early on, we came to consider ourselves existentialists. Just las...

The purpose of this paper is to show the agreement Camus and Aristotle on cultural function art community (the artist audience), in particular their criticism what should be called barbarian or nihilistic practices art. Camus' have been frequent targets modern critics, but his point would that such critics wrong idea His answer parallelism ideas with Aristotle's culture, real issue between cult...

Generic Transgression in La Chute of Albert Camus 
 ABSTRACT: The Camusian work is a plural work, which embraces several genres: the novel, essay, theater, press. This generic plurality palpable even within each text. Different genres intersect and intertwine his books. In Fall, for example, at least two can be identified: novel essay. Behind narration story Clamence that told to him, read...