While cinema boasts of a long history that has placed the representation and aesthetics memory at its centre, virtual reality (VR) augmented (AR) are only starting to shape their own aesthetic narrative engagement with memory. Through analysis Chez Moi (Caitlin Fisher Tony Vieira, 2014), Queerskins: Ark (Illja Szilak, 2020), Homestay (Paisley Smith, 2018), this essay shows how cinematic AR VR i...