This essay responds to Badiou’s charge that Deleuze fails to set forth a philosophy that is “beyond categorical oppositions.” It is argued that this criticism of Deleuze is founded upon a misreading of the Deleuzean distinction between the virtual and the actual, a reading that carries forward Badiou’s misreading of Spinoza and, hence, of Deleuze’s Spinozism. With this corrected, we show how th...

Seth Jacobowitz, in his paper "Watsuji and Deleuze and Guattari in the Climate of Culture," analyzes theories of cultural properties in Gilles Deleuze and Felix Guattari's A Thousand Plateaus alongside Watsuji Tetsuro's prewar Climate and Culture. At stake in these investigations is the status of the West as a universalizing particular ratified by these authors in the instance of its own critiq...

Gilles Deleuze, in his two books on film, Cinema 1: The Movement-Image and Cinema 2: The Time-Image, proposes a revolutionary approach to film theory. Drawing on Deleuze's own philosophy of repetition and difference and the work of Henri Bergson, the Cinema books extend these theories to foreground those aspects that are most essential to the medium: that film unfolds in time, and is comprised ...