praise background in arabic poetry reaches the age of ignorance; but praise poetry in persian, has started from the third century hijri to imitation of arabic prosody. in motenabbi and hafez’s period of life, eulogy has become abundantly widespread, and a lot of poets have been writing a lot of panegyric. the place and position of praise in motenabbi and hafez’s divan has significant difference...

INTRODUCTION Creative expression of scientific observations and principles through poetry and other media can enrich medical and science education. This debunks the expectation that science and poetry, for example, are mutually exclusive (Figure 1). Instead of coexisting as parallel lanes without interaction, poetry and science can cross over as one merges lanes. Kurtz and Loewenstein suggest t...

This study discussed; Semantic fields in the lights of Al-salmi’s “Anwar Al Uqol”. The problem lies development semantics, breadth its interests, multiplicity mechanisms and diversity discussions, until it has become an approach that deals with texts through analysis, to probe depths decipher closures. Therefore, researchers differed semantics terms their view meaning, this difference resulted ...

ilia abu mazi lived in twentieth century and in the imitation toward to innovation era. although he did not have a deep philosophy in his poetry he outstripped thomas aquinas who lived in thirtieth century. this philosophy was one the most important ones in that era which the church had accepted it. abu mazi was completely pessimistic; although the life stream can destroy any thing in its way b...

Introduction Preamble -Aesthetics | Poetry and Islam | Poetry and warlords | Poetry and Afghanistan -Poetry and Kazakhstan | Poetry and the Caucasus | Poetry and the Middle East -Poetic leadership | Poetic protest | Prosaic dialogue Indicative possibilities of reframing strategic engagement Clarification of Islamic views Improvisation in poetic debate -Poetic discourse as a lost art | Poetic en...

  Poetry translation involves cognition, discourse, and action by and between human s and textual a c- tors in physical and social settings. The aim of this study was to find out to what extent the non - native translator of Nizami Ganjavi’s “Leili and Majnun” could preserve the poetic imagery in its English translation. To this end, an innovative taxonomic model, which could investiga...

Plato’s argument against poetry in Republic 10 is perplexing. He condemns not all poetry, but only “however much of it is imitative (hosê mimêtikê)” (595a). A metaphysical charge against certain works of poetry – that they are forms of imitation, “at a third remove from the truth” – is thus used to justify an ethical charge: that these works cripple our thought and corrupt our souls. Unfortunat...

Thomas Bauer seems very much intent on discrediting my chapter on Mamluk and Ottoman poetry (in the Post-Classical Period volume of the Cambridge History of Arabic Literature, edited by Roger Allen and D. S. Richards and published in 2006), which apparently contradicts the premises and ideas he himself had already put forward about this long period, one that happens to be his chosen area of spe...

Contemporary poetry appears in a diverse range of forms and medial constellations: in spoken word events live on stage, on audio CDs – spoken by the poets themselves or by professional speakers, at times accompanied by music or beats –, in YouTube videos, as entertaining ‘poetry clips,’ as artistic poetry films in art installations in museums, public spaces or the cinema. Finally, there is a wi...