Jin Feng, in her paper "The New Woman in Early Twentieth-Century Chinese Fiction," proposes that the representation of the "new woman" in Chinese fiction was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Previous scholarship on fiction of the period probed occasionally the thematic im...

Emotions are central to the experience of literary narrative fiction. Affect and mood can influence what book people choose, based partly on whether their goal is to change or maintain their current emotional state. Once having chosen a book, the narrative itself acts to evoke and transform emotions, both directly through the events and characters depicted and through the cueing of emotionally ...

Violence, magic and realism – the three terms offer various possible enquiries and I might begin by suggesting two kinds of violence – the depiction of violence in story or narrative, a shooting, knifing, murder of whatever kind – and on the other hand, a violence in the text of fiction itself. The first one is easy to comprehend. In modern Scottish fiction, the novel No Mean City (1935) evokes...

Morrison’s Song of Solomon could be viewed as a paragon of trauma fiction. Since no narrative of trauma can be told in a linear way, Morrison tries to depict the overwhelming power of trauma through a non-linear narrative, episodic delivery, and flashbacks. Accordingly, the readers are compelled to concoct the disjointed and fragmented memories in order to solve the riddle of the text, in which...

This paper presents DraMachina, an authoring tool dedicated to authors of interactive fictions. An interactive fiction is an extension of classical narrative media as it supposes a direct implication of spectators during the story evolution. Writing such a story is much more complex than a classical one, and tools at the disposal of writers remain very limited compared to the evolution of techn...

In this paper, we discuss a part of participatory culture that so far has not received much attention in the academic world; it is the writing and reading of game fan fiction. The focus in this paper is on fan fiction, based on three different games that represent three different game genres: Tetris, StarCraft and Dreamfall: The Longest Journey. The aim is to advance our understanding of how pl...

this essay examines the practice of free indirect discourse (fid), as a narrative-stylistic device, in hossein sanapour’s lips on a blade (2010). after a brief overview of the novel ’s narrative structure, the four modes of representing characters’ discourses in narrative fiction are introduced and exemplified. among these modes, fid is the most important since it is the only one which leads to...

it seems impossible to think of the persian art without mentioning the significant presence of gardens. they are present in miniature painting, architecture, and literature. one of the modern works of persian fiction in which gardens play a significant role is malakut (1961), a novella by the modern iranian fiction writer bahram sadeqi (1936-1984). the story of this novella begins in a “green g...