In parallel to studies of various cases of synesthesia, many cross-modal correspondences have also been documented in nonsynesthetes. Among these correspondences, implicit associations between taste and pitch have been reported recently (Crisinel & Spence, 2009, 2010). Here, we replicate and extend these findings through explicit matching of sounds of varying pitch to a range of tastes/flavors....

The article discusses Hanna Szumańska-Grossowa’s reminiscences about Konstanty Ildefons Gałczyński, their personal contacts, the poet’s musical taste, and his alcohol addiction.

one of the fields of creation and practice expansion is an attempt to diversify and multiply melodic modules which can increase practical potentials in a musical system. the most fundamental element of a sonic- musical atmosphere (mode) is ambits of tone; in other words, it is a sequence of tones with specific frequency. therefore, melodic modules combination depends on acoustical features and ...

The esthetic appreciation of music is strongly influenced by cultural background and personal taste. One would expect that this would complicate the utilizability of musical feedback in paradigms, such that music would only be perceived as a reward if it complies to personal esthetic appreciation. Here we report data where we assessed esthetic appreciation of music after 1. a physically strenuo...

Listening histories are rich sources of implicit information. Combining listening histories of multiple users allows comparisons in musical taste and discovery of new music, though few existing work specifically addresses this issue. In this paper we present two interactive visualizations which give users a deeper insight into consent and dissent in their listening behaviors, and help them to c...

A new technology for music has emerged with unprecedented speed. Just over forty years ago, the first digitally-produced sounds gave pioneering composers from around the world a taste of vast new possibilities. Numerical experiments with sound became a logical extension of compositional interests that were pushing the boundaries of timbre, perception, new instruments and performance techniques,...

People routinely consider the opinions of others prior to making decisions on matters of taste (e.g., a restaurant or movie). Our theoretical framework highlights the role of two sources, social (majority) influence and similarity among advisors, in such decisions. We suggest that individuals’ use of these sources depends on their taste discrimination. While highly discriminating judges seek th...