in literal, geographical and historical books, one can find the names of old and historical places. writers, editors and translators sometimes make mistakes in recording the names of these places because of the destruction and ruining these places and/or changes in their names. the writers of this paper have explained and suggest some corrections related to historical and old places of balkh re...

A National Initiative sponsored by The Getty Art History Information Program The American Council of Learned Societies The Coalition for Networked Information This working report was developed by the Getty Art History Information Program (AHIP), an operating program of the J. Paul Getty Trust, as a joint project with the American Council of Learned Societies and the Coalition for Networked Info...

This paper explores the possible origins of some names in 1001 Nights. The names of the major characters of the Night stories, and their borrowed reflexes in Arabic, have been traced back to their ancient Persian roots. Examples from classical works are brought to argue that Shahrāzād, Shahriyār, and Dīnāzād are not only the correct forms but more suitable to the deep structure of the frame-sto...

Important changes brought about by the Melbourne International Code of Nomenclature for Algae,FungiandPlantsare briefly reviewed concerning a clarification of the spelling and typification of sanctioned fungal names, the recognition of electronic publication for the validity of nomenclatural novelties, permission to use English diagnoses or descriptions for their valid publication, and the requ...

This short paper is a work in progress describing our participation in the GRID@CLEF task. The GRID@CLEF task is intended to capture in XML form the intermediate results of the text processing phases of the indexing process used by IR systems. Our approach was to create a new instrumented version of the indexing program used with the Cheshire II system. Thanks to an extension by the organizers,...

A color scale was designed with an approach that combined both human visual response to color and physical properties of color. The design was initiated with a subjective evaluation of a 16 step color scale running from dark blue via magenta, orange to light yellow. The CIELUV chromaticity diagram was employed to verify the subjectively generated scale and to ensure that the differences in hue ...

Figure 1 shows an example of visual transparency. The image could arise from a number of different physical causes. For example, a square of tissue paper could be in front of a dark grey circle; or a circular shadow could be cast on a plane containing a light grey square; or a dark circular filter could be lying on top of a light grey square. Although the physics is uncertain, one can perceive ...