anvari is a great iranian poet whose poetry has influenced both his contemporary and subsequent poets. his divan has been published several times in iran and india. the two recensions made in iran have received widespread public acceptance. it was first saeed nafisi who gathered anvari’s poems and later mohammad taghi modarres razavi corrected his divan. however, both editions reveal some error...

introduced in this inquiry and review is a balladry which exists both in divan of hassan ghaznavi and attar. in addition, the existing differences between the two also revealed balladry, and some lines in this ode were corrected according to divan of hassan ghaznavi. it is very important to note that the opening sixteen lines of this ode, except for the 7th and 8th lines, have been attributed t...

praise background in arabic poetry reaches the age of ignorance; but praise poetry in persian, has started from the third century hijri to imitation of arabic prosody. in motenabbi and hafez’s period of life, eulogy has become abundantly widespread, and a lot of poets have been writing a lot of panegyric. the place and position of praise in motenabbi and hafez’s divan has significant difference...

we have now at hand two editions of onsori’s divan , none of them is ideal. this is clauesd, first of all by the corruption of the manuscripts. this article attempts to examine and rectify a number of verses of onsori’s divan which have not been correctly recorded by the editors of the divan in any of its two main editions; the 1st by yahya gharib, edited in 1341 s.h., and the 2nd by mohammad d...