It is conventional to recognise two dimensions of paradigmatic organisation in a morphological system. The inflected forms of a lexeme L make up the inflectional paradigms of L. The new lexemes that can be defined from the root of L form what is often, by extension, termed the derivational paradigm of L. Implicit in many traditional descriptions is a third subsystem, comprising the ‘principal p...

We present a notation for the declarative statement of morphological relationships and lexieal rules, based on the traditional notion of Word and Paradigm (cf Hockett 1954). The phenomenon of blocking arises from a generalized version of Kiparsky's (1973) Elsewhere Condition, stated in terms of ordering by subsumption over paradigms. Orthographic constraints on morphemic alternation are describ...

In this paper, we describe a novel automatic cluster analysis method for symbolic music. The method contains both a surface level and a paradigmatic level analysing block and works in two phases. In the first phase, each music document of a collection is analysed separately: They are first divided into phrases that are consequently fed on a harmonic analyser. The paradigmatic structure of a giv...

We present a computational model for the paradigmatic analysis of musical pieces, which is the classiication of musical segments into similarity-based categories. The model requires the analyst to make explicit choices for the characteristics by which the musical segments are described. The classiication of the segments into categories is determined by these characteristics and is performed by ...

German as an active process that allows not only to create new designations, but also clarify the existing ones and express maximum of meaning with one unit. Such units include composites V + N model, which have been examined on material three styles (belletristic, publicistic scientific). The combination traditional quantitative methods in study us speak greater evidence data obtained. For exa...